Vision Board 2020

I was inspired to make a vision board for the next decade. What kind of life do I want to have in 10 years? Confession - I’m older than I look and there are many things that I’ve always thought would happen eventually, but they haven’t happened yet. Well, I need to take steps to MAKE them happen in the next 10 years and be more PROactive instead of REactive. It was surprisingly easy for me to brainstorm all these things - they’ve been in the background of my mind but I haven’t really put pen to paper on many of them. As a visual person SEEING your goals is super important!

AER HEAD was the first thing I thought of, but I’m talking about the WHOLE SERIES here, not just issue 1. #1 is a goal for just 2020. If I can complete an issue per year with one Kickstarter per year that would be fantastic.

After I had my main ideas, I wondered what it would take to achieve them. They fell into 3 main categories: time, money, spirituality, or some combination thereof. Having a more abundant mindset is more on the spiritual spectrum, whereas I definitely need more money to get an art studio space. Also gotta say that even though I do all this crazy planning, I need to make more room in my life for spontaneity/enjoying life more, which is hard to do when I need to be so disciplined in art creation.

I came to the conclusion that before most of these things can happen, I need to focus on creating a more sustainable art career first. In the next blog you’ll see my separate action board for that. Note the distinction between VISION board and ACTION board. Vision boards are nice ideas to look at, keep in mind, and be inspired by, whereas action boards are specific actions you can take to achieve your vision.

Action

What are some big life goals on your mind you’ve been thinking about for awhile? Make a vision board! I just used a big sheet of paper, construction paper, and a marker. Make it fun by writing in different styles, cutting fun shapes, or using different colors. If you’re not that “artistic,” you can type out words in different fonts in Microsoft Word. Cheers to your success in life, career, love, pets, etc in 2020!

Comic-Con International in San Diego was Awesome!

(Crowd photo by Geek Shot)

How can I begin to tell about the awesome time I had at Comic-Con International, the biggest comic convention in America?  I was on the wait list for an Artist Alley table, and my main goal was to enhance my career.  I got all my merchandise ready, and felt that even if I didn't get a table, I could still benefit greatly from the portfolio reviews and informative creator panels.  It was a bit of a risk - the plane ticket was pricey all the way from NYC, but I got to stay with my sister and brother-in-law :)  The risk was totally worth it, as I ended up getting a table half-way through the convention! 

"Let's Fighting Love!!" South Park life-sized scenes.

At other conventions, I don't really get to walk around and fully enjoy the fun due to working at my table, but this time I got to do BOTH!  My favorite thing to see was the life-sized recreation of the town of South Park, complete with some of the most popular scenes.  Neil DeGrasse Tyson sponsored a virtual reality section too. 

Did you know that at SDCC, there is a whole section for folio reviews?  Other conventions I've been to don't have this.  I researched the listed companies and what they were looking for, and the week before, I got together 3 folios: storyboarding, comic, and coloring.  These were reviewed by people from Nickelodeon, Disney, and comic companies like Action Lab and Arch Enemy.  I did this all Thursday, because I knew it would just get crazier with each passing day so I had a better chance of being chosen.  If the list is too long, no luck - I didn't get in for Cartoon Network which was only on Friday.   I actually went to SDCC a decade ago and just had a student folio.  I noticed a considerable difference in the response to my work now that I have years of professional experience in the comics industry!  I think artists at any stage in life can benefit from these reviews - people pointed out things in my work I'd never thought of before.  Many cards were exchanged... we'll see what happens!

Most of Friday I sat in on a bunch of panels.  I was amazed at how many wonderful creator-themed topics SDCC had!  Everything from industry pros telling their career stories to cool Photoshop techniques and more!  My top 3 were:  1.  Artist as Brand: Rise of the Artist Entrepreneur, where indie creators talked about the struggles and rewards of business stuff and owning their creations.  2.  Creating Comics with the iPad- I had no idea of the incredible advances in technology and freedom artists can have on-the-go.  3.  Cartoon Creatives: Women Power in Animation- since I'm considering getting more into the storyboarding world, it was great to see many strong women with major roles in the industry! 

I've gotta say, New York Comic Con has been lacking in creator-themed panels in the past few years, probably due to a "fans first" policy.  But before I began tabling at NYCC, I remember they used to have more good artist panels.  Last year I didn't find many good NYCC panels to blog about that I'd be interested in as a creator (if I had time to go) - they focused on celebrities and fan themes.  By the way, SDCC "pro passes" are still FREE, whereas NYCCs pro passes keep going up in $ each year.  Overall, I feel that San Diego CC respects, appreciates, and represents creators more than NYCC. 

The Most Random Sketch Award goes to this dog as an Ewok-Gremlin!

Every day I got to the convention super early and checked in with Artist Alley registration to see if a table opened up.  And Saturday morning IT HAPPENED!  I couldn't believe it!  Little did I know, SDCC's Artist Alley is notoriously difficult to get into, with the waiting list being "years long."  It's complicated to explain exactly how I was able to get this table, but it was a combination of being qualified, prepared, persistent, some tips from the inside, and some luck!  If one of these aspects had gone wrong, I may not have gotten in, but I guess it was meant to be! 

I realized that SDCC's Artist Alley is different than other artist alleys because it's made up of mostly old pros that have had major industry work for like decades!  I was right next to Len Wein, creator of Wolverine and other X-men characters!  Ken Penders, one of my heroes from Sonic the Hedgehog, was also tabling.  So there were giants like these, and then... me, somehow! :PI was sketching up a storm though, and was successful enough to pay for that plane ticket + more :)  There was lots of encouragement among the rest of the artists, with words like "good luck, kiddo!" and I did feel like I fit in there more.  Oh Katie Cook was in the row right behind me!  Her career has grown so much over the years, she's very inspiring!  So it looks like the next generation of cartoonists is on the rise at SDCC.

Overall, I had the most ideal experience this year at SDCC, with a great balance of fun, constructive folio reviews + networking, informative creator tips, and making $!  If you're on the west coast and in the comics or animation industry, SDCC IS A MUST!  If you're in the midwest, it's worth a road trip!  If you're on the east coast and have a place to stay, the plane ticket is definitely worth it.  If you don't have a place to stay, hey AirBnB is on the rise.  It's cheaper if you stay farther from the convention and take the trolley.  Hope to see you there next year!

Did I mention that I got sick the week before SDCC?  Just like what happened last year before NYCC!  I guess I burn myself out preparing.  I went to the same clinic and they recognized me :PLuckily antibiotics are like tiny microscopic superheroes!  Comic cons are exhausting enough without being sick.